Fiction
“Reluctantly, I release my legs from the tangled humid sheets and pull on the aged baby blue nightgown that I pulled off last night, unable to cope with its strangling warmth. I throw on one of my father’s old denim button-downs and roll up the baggy, frayed sleeves. I pad out of my room into the furnacebox of the hallway, its dingy trodden carpet prickling my feet with cheapness. In the kitchen, I unwrap a cherry popsicle and wander into the living room, fiddling with the denim shirt as it slides off my shoulder. I can hear my sister banging around purposefully in her room, and Jackson is alone, stretched meditatively on the couch under the window’s glare. I notice details.
He is lengthy, in this position, even though he is not particularly tall – but his presence, his breath and long legs, his languid stare out the window, has total control of the couch. It is covered with him, and he is the largest thing in the room. I notice more. His cheekbones are golden and highlighted by the muggy stillness of the room. The shadows floating there are out of a sketchbook, the chalk strokes made with caution. His arm hangs off the couch, the sinew of his thin, graceful shoulder drooping down (slow honey off a spoon) into the slender, pale underbelly of his fore-arm. I see his ribs, stretching across the cave of his chest. This chest is hairless and youthful, lighter than his arms, and I feel the nesting instinct to lie on it and hear that heartbeat. I watch it rise and fall and this rhythm is the only one in the room.
I am not prepared for the ferocity of my own reaction to this scene. The room shimmers. Jackson looks at me. I have been caught, deer in the headlights, staring at his supine form. I see my cartoon self, eyes popping out, drooling, feet off the ground yelling something ridiculous like ‘WOWZA!’ I stutter and retreat from Jackson’s dark eyes, which are still half closed and stunned from the light. A smile breaks on his beautiful face, saying, “Hey Nina, running away?” He is teasing me, and it smacks me like a battering ram between my shoulder blades as I turn back into the kitchen and scuttle to my bedroom, breathless. I forget I’m holding the popsicle and it crushes, comic book blood on my bed, as I throw myself back to the safety of ten minutes ago.”
– excerpted from ‘Slow Honey off a Spoon’


1. What’s an embarrassing story that your family or friends could tell about you?
stephanie is truly a queen amongst women. pricelessly stylish and effortlessly graceful, just like jackie. sweet, cultured, accomodating and kind, i think perhaps people underestimate stephanie’s true grit. she’s gentle and respectful but underneath she’s tough as nails, with strong opinions, a cautious and thorough intellect, and she’s fiercely loyal to those she loves. i remember meeting stephanie four years ago and thinking her perhaps a bit of a pushover. boy, was i wrong. she’ll be the first person to say “nope, sorry, stop apologizing for yourself or others, you know what the right thing to do is.” like jackie o, under those sexily chic clothes and winsome friendly smile beats the heart of a true regal princess.
when vivien leigh first read mitchell’s ‘gone with the wind’, she drew herself up to her full five foot nothing height and said to no one in particular that she was going to be scarlett.
and little old me, who often feels compltely unworthy of the caliber of phenomenal women in her life? all her life, katherine hepburn marched to her own slightly wacky drums. i relate to her drastic polarity – while she was incredibly ballsy and brash, she was also cultured and well-raised and fiercely intelligent. while she was independent to a fault, she gave herself heart and soul to spencer tracy, giving her love so selflessly that it was almost self-destructive. i identify with her impetuousness, her earnestness, the little inner child she constantly indulged, and the strong proud woman she was through and through. i can only hope i measure up to those qualities the way i measure my girls by their brilliance, wit, strength, and beauty.

